Liste des œuvres de Henry Purcell

Cette liste des compositions de Henry Purcell est dressée selon le catalogue établi par le musicologue Franklin B. Zimmerman (en) (1923-) dans son ouvrage Henry Purcell, 1659-1695: an analytical catalogue of his music en 1963.

Chaque œuvre de Purcell porte un numéro précédé d'un Z.

Musique sacrée[modifier | modifier le code]

Anthems (Z 1–65)[modifier | modifier le code]

I 1, Verse Anthem, "Awake, put on thy strength" (vers 1682–1685)
Z 2, Verse Anthem, "Behold, I bringgf
Z 3, Verse Anthem, "Behold now, praise the Lord" (vers 1680)
Z 4, Verse Anthem, "Be merciful unto me" (avant 1683)
Z 5, Verse Anthem, "Blessed are they that fear the Lord" (1688)
Z 6, Verse Anthem, "Blessed be the Lord my strength" (avant 1679)
Z 7, Verse Anthem, "Blessed is he that considereth the poor" (vers 1688)
Z 8, Verse Anthem, "Blessed is he whose unrighteousness is forgiven" (vers 1680–1692)
Z 9, Verse Anthem, "Blessed is the man that feareth the Lord" (vers 1688)
Z 10, Full Anthem, "Blow up the trumpet in Sion" (avant 1679)
Z 11, Verse Anthem, "Bow down thine ear, O Lord" (vers 1680–1682)
Z 12, Verse Anthem, "Give sentence with me, O Lord" (before 1681)
Z 13, Verse Anthem, "Hear me, O Lord, and that soon" (vers 1680–1682) – (Il existe deux versions de cette œuvre : Z 13A et Z 13B)
Z 14, Verse Anthem, "Hear my prayer, O God" (avant 1683)
Z 15, Full Anthem, "Hear my prayer, O Lord" (avant 1683)
Z 16, Verse Anthem, "In thee, O Lord, do I put my trust" (vers 1682)
Z 17, Full Anthem, "In the midst of life" (before 1682) – (Il existe deux versions de cette œuvre : Z 17A et Z 17B)
Z 18, Verse Anthem, "It is a good thing to give thanks" (vers 1682–1685)
Z 19, Verse Anthem, "I was glad when they said unto me" (vers 1682–1683)
Z 20, Verse Anthem, "I will give thanks unto Thee, O Lord" (vers 1682–1685)
Z 21, Verse Anthem, "I will give thanks unto the Lord" (vers 1680–1682)
Z 22, Full Anthem, "I will sing unto the Lord" (avant 1679)
Z 23, Verse Anthem, "Let God arise" (avant 1679)
Z 24, Verse Anthem, "Let mine eyes run down with tears" (vers 1682)
Z 25, Full Anthem, "Lord, how long wilt Thou be angry?" (vers 1680–1682)
Z 26, Verse Anthem, "Lord, who can tell how oft he offendeth?" (vers 1677)
Z 27, Full Anthem, "Man that is born of woman" (vers 1680–1682)
Z 28, Verse Anthem, "My beloved spake" (avant 1677)
Z 29, Verse Anthem, "My heart is fixed, O God" (avant 1682–1685)
Z 30, Verse Anthem, "My heart is inditing" (1685)
Z 31, Verse Anthem, "My song shall be always" (1690)
Z 32, Verse Anthem, "O consider my adversity" (date de composition inconnue)
Z 33, Verse Anthem, "O give thanks unto the Lord" (1693)
Z 34, Full Anthem, "O God, the king of glory" (before 1679)
Z 35, Full Anthem, "O God, thou art my god" (vers 1680–1682)
Z 36, Full Anthem, "O God, thou has cast us out" (vers 1680–1682)
Z 37, Full Anthem, "O Lord God of hosts" (vers 1680–1682)
Z 38, Verse Anthem, "O Lord, grant the King a long life" (1685)
Z 39, Verse Anthem, "O Lord, our governor" (before 1679)
Z 40, Verse Anthem, "O Lord, rebuke me not" (date de composition inconnue)
Z 41, Verse Anthem, "O Lord, Thou art my God" (vers 1680–1682)
Z 42, Verse Anthem, "O praise God in his holiness" (vers 1682–1685)
Z 43, Verse Anthem, "O praise the Lord, all ye heathen" (avant 1681)
Z 44, Verse Anthem, "O sing unto the Lord" (1688)
Z 45, Verse Anthem, "Out of the deep have I called" (vers 1680)
Z 46, Verse Anthem, "Praise the Lord, O Jerusalem" (1689) – (Il existe une autre œuvre portant le numéro Z 46, un fragment d'un Verse Anthem intitulé '"Praise the Lord, ye servants"]
Z 47, Verse Anthem, "Praise the Lord, O my soul, and all that is within me" (vers 1682–1685)
Z 48, Verse Anthem, "Praise the Lord, O my soul, O Lord my God" (1687)
Z 49, Verse Anthem, "Rejoice in the Lord alway" (vers 1682–1685) (surnommé "The Bell Anthem")
Z 50, Full Anthem, "Remember not, Lord, our offences" (vers 1679–1682)
Z 51, Full Anthem, "Save me, O God" (avant 1681)
Z 52, Verse Anthem, "Sing unto God" (1687)
Z 53, Verse Anthem, "The Lord is king, be the people never so impatient" (date de composition inconnue)
Z 54, Verse Anthem, "The Lord is King, the earth may be glad [thereof]" (1688)
Z 55, Verse Anthem, "The Lord is my light" (vers 1682–1685)
Z 56, Verse Anthem, "The way of God is an undefiled way" (1694)
Z 57, Verse Anthem, "They that go down to the sea in ships" (1685)
Z 58, Verse Anthem, "Thou know'st, Lord, the secrets of our hearts" (1687) – (Il existe deux versions de cette œuvre, Z 58A et Z 58B, outre un Full Anthem Z 58C)
Z 59, Full Anthem, "Thy righteousness, O God, is very high" (date de composition inconnue)
Z 60, Verse Anthem, "Thy way, O God, is holy" (1687)
Z 61, Verse Anthem, "Thy word is a lantern unto my feet" (date de composition inconnue)
Z 62, Verse Anthem, "Turn thou us, O good Lord" (date de composition inconnue)
Z 63, Verse Anthem, "Unto Thee will I cry" (vers 1682–1685)
Z 64, Verse Anthem, "Who hath believed our report?" (vers 1679–1680)
Z 65, Verse Anthem, "Why do the heathen so furiously rage together?" (vers 1682–1685)

Hymns and sacred songs (hymnes et chants sacrés) (Z 101–200)[modifier | modifier le code]

Z 101, Catch, "Joy, mirth, triumphs I do defy" (date de composition inconnue) – (Peut-être au départ un "Alleluia")
Z 103, Canon, "Gloria Patri et Filio" (vers 1680)
Z 104, Canon, "Gloria Patri et Filio" – Canon 3 in 1 (vers 1680)
Z 105, Canon, "Gloria Patri et Filio" – Canon 4 in 1 per arsin et thesin (vers 1680)
Z 106, Canon, "Gloria Patri et Filio" – Canon 4 in 1 (vers 1680)
Z 107, Canon, "Gloria Patri et Filio" – Canon 7 in 1 at the unison (date de composition inconnue)
Z 108, Canon, "Laudate Dominum" – Canon 3 in 1 (date de composition inconnue)
Z 109, Canon, "Misere Mei" – Canon 4 in 2 (publié en 1687)
Z 120, Chant en la mineur (date de composition inconnue) – (les œuvres numérotées de Z 120 à Z 125 sont d'attribution douteuse)
Z 121, Chant en sol majeur (date de composition inconnue)
Z 122, Chant en sol majeur (date de composition inconnue)
Z 123, Chant en ré mineur (date de composition inconnue)
Z 124, Chant en sol majeur (date de composition inconnue)
Z 125, Burford psalm-tune en sol mineur (date de composition inconnue)
Z 130, Hymn, "Ah! few and full of sorrow" (vers 1680)
Z 131, Hymn, "Beati omnes [qui timent Dominum]" (vers 1680)
Z 132, Hymn, "Early, O Lord, my fainting soul" (vers 1680)
Z 133, Hymn, "Hear me, O Lord, the great support" (1680–1682)
Z 134, Hymn, "In guilty night" (publié en 1693)
Z 135, Hymn, "Jehova, quam multi sunt [hestes]" (vers 1680)
Z 136, Hymn, "Lord, I can suffer thy rebukes" (vers 1680)
Z 137, Hymn, "Lord, not to us, but to thy name" (vers 1680)
Z 138, Hymn, "O all ye people, clap your hands" (vers 1680)
Z 139, Hymn, "O happy man that fears the Lord" (date de composition inconnue)
Z 140, Hymn, "O, I'm sick of life" (vers 1680)
Z 141, Hymn, "O Lord our governor" (vers 1680)
Z 142, Hymn, "Plung'd in the confines of despair" (vers 1680)
Z 143, Hymn, "Since God, so tender a regard" (vers 1680)
Z 144, Hymn, "When on my sickbed I languish" (vers 1680)
Z 181, Hymn, "Awake, and with attention hear" (publié en 1681)
Z 182, Hymn, "Awake, ye dead" (publié en 1693)
Z 183, Hymn, "Begin the song, and strike the living lyre" (publié en 1681)
Z 184, Hymn, "Close thine eyes and sleep secure" (publié en 1688)
Z 185, Hymn, "Full of wrath his threatening breath" (date de composition inconnue)
Z 186, Hymn, "Great God and just" (publié en 1688)
Z 187, Hymn, "Hosanna to the highest" (date de composition inconnue)
Z 188, Hymn, "How have I strayed" (publié en 1688)
Z 189, Hymn, "How long, great God?" (publié en 1688)
Z 190, Hymn, "In the black dismal dungeon of despair" (publié en 1688)
Z 191, Hymn, "Let the night perish" (publié en 1688)
Z 192, Hymn, "Lord, what is man?" (publié en 1693)
Z 193, Hymn, "Now that the sun hath veiled his light" (publié en 1688)
Z 195, Hymn, "Sleep, Adam[, sleep and take thy rest]" (publié en 1688)
Z 196, Hymn, "Tell me, some pitying angel" (publié en 1693)
Z 197, Hymn, "The earth trembled" (publié en 1688)
Z 198, Hymn, "Thou wakeful shepherd" (publié en 1688)
Z 199, Hymn, "We sing to him, whose wisdom form'd the ear" (publié en 1688)
Z 200, Hymn, "With sick and famish'd eyes" (publié en 1688)

Services (Z 230–232)[modifier | modifier le code]

Z 230/1, Morning Service, "Te Deum Laudamus en si bémol majeur" (avant 1682)
Z 230/2, Morning Service, "Benedictus en si bémol majeur" (avant 1682)
Z 230/3, Morning Service, "Benedicite Omnia Opera en si bémol majeur" (avant 1682)
Z 230/4, Morning Service, "Jubilate Deo en si bémol majeur" (avant 1682)
Z 230/5, Communion Service, "Kyrie Eleison en si bémol majeur" (avant 1682)
Z 230/6, Communion Service, "Nicene Creed en si bémol majeur" (avant 1682)
Z 230/7, Evening Service, "Magnificat en si bémol majeur" (avant 1682)
Z 230/8, Evening Service, "Nunc dimittis en si bémol majeur" (avant 1682)
Z 230/9, Evening Service, "Cantate Domino en si bémol majeur" (avant 1682)
Z 230/10, Evening Service, "Deus misereator en si bémol majeur" (avant 1682)
Z 231, Evening Service, "Magnificat and Nunc dimittis en sol mineur" (date de composition inconnue)
Z 232, Morning Service, "Te Deum and Jubilate Deo en do majeur" (1694)

Catchs (Z 240–292)[modifier | modifier le code]

Z 240, Catch, "A health to the nut-brown lass" (1685)
Z 241, Catch, "An ape, a lion, a fox and an ass" (1686)
Z 242, Catch, "As Roger last night to Jenny lay close" (date de composition inconnue)
Z 243, Catch, "Bring the bowl and cool Nantz" (1693–1694)
Z 244, Catch, "Call for the reckoning" (date de composition inconnue)
Z 245, Catch, "Come let us drink" (date de composition inconnue)
Z 246, Catch, "Come my hearts, play your parts" (1685)
Z 247, Catch, "Down, down with Bacchus" (1693)
Z 248, Catch, "Drink on till night be spent" (1686)
Z 249, Catch, "Full bags, a brisk bottle" (1686)
Z 250, Catch, "God save our sovereign Charles" (1685)
Z 251, Catch, "Great Apollo and Bacchus" (date de composition inconnue)
Z 252, Catch, "Here's a health, pray let it pass" (date de composition inconnue)
Z 253, Catch, "Here's that will challenge all the fair" (1680)
Z 254, Catch, "He that drinks is immortal" (1686)
Z 255, Catch, "If all be true that I do think" (1689)
Z 256, Catch, "I gave her cakes and I gave her ale" (1690)
Z 257, Catch, "Is Charleroy's siege come too?" (1693)
Z 258, Catch, "Let the grave folks go preach" (1685)
Z 259, Catch, "Let us drink to the blades" (1691)
Z 260, Catch, "My lady's coachman, John" (1688)
Z 261, Catch, "Now England's great council's assembled" (1685)
Z 262, Catch, "Now, now we are met and humours agree" (1688)
Z 263, Catch, "Of all the instruments that are" (1693)
Z 264, Catch, "Once in our lives let us drink to our wives" (1686)
Z 265, Catch, "Once, twice, thrice, I Julia tried" (date de composition inconnue)
Z 266, Catch, "One industrious insect" (date de composition inconnue)
Z 267, Catch, "Pale faces, stand by" (1688)
Z 268, Catch, "Pox on you for a fop" (date de composition inconnue)
Z 269, Catch, "Prithee be n't so sad and serious" (date de composition inconnue)
Z 270, Catch, "Room for th'express" (1694)
Z 271, Catch, "Since the duke is return's" (1685)
Z 272, Catch, "Since time so kind to us does prove" (date de composition inconnue)
Z 273, Catch, "Sir Walter enjoying his damsel" (date de composition inconnue)
Z 274, Catch, "Soldier, soldier, take off thy wine" (date de composition inconnue)
Z 275, Catch, "Sum up all the delights" (1688)
Z 276, Catch, "The Macedon youth" (1686)
Z 277, Catch, "The miller's daughter riding" (1686)
Z 278, Catch, "The surrender of Limerick" (1691)
Z 279, Catch, "'Tis easy to force" (1685)
Z 280, Catch, "'Tis too late for a coach" (1686)
Z 281, Catch, "'Tis women makes us love" (1685)
Z 282, Catch, "To all lovers of music" (1687)
Z 283, Catch, "To thee, to thee and to a maid" (1685)
Z 284, Catch, "True Englishmen drink a good health" (c. 1689)
Z 285, Catch, "Under a green elm lies Luke Shepherd's helm" (1686)
Z 286, Catch, "Under this stone lies Gabriel John" (1686)
Z 287, Catch, "When V and I together meet" (1686)
Z 288, Catch, "Who comes there?" (1685)
Z 289, Catch, "Wine in a morning makes us frolic and gay" (1686)
Z 290, Catch, "Would you know how we meet" (1685)
Z 291, Catch, "Young Colin cleaving of a beam" (1691)
Z 292, Catch, "Young John the gard'ner" (1683)

Odes et welcome songs (odes et chants pour cérémonies de bienvenue) (Z 320–344)[modifier | modifier le code]

Z 320, Ode, "Arise my Muse" (1690)
Z 321, Ode, "Celebrate this festival" (1693)
Z 322, Ode, "Celestial music did the gods inspire" (1689)
Z 323, Ode, "Come Ye Sons of Art" (1694)
Z 324, Ode, "Fly, bold rebellion" (1683)
Z 325, Ode, "From hardy climes and dangerous toils of war" (1683)
Z 326, Ode, "From those serene and rapturous joys" (1684)
Z 327, Ode, "Great parent, hail!" (1694)
Z 328, Ode, "Hail! Bright Cecilia" (Ode à sainte Cécile) (1692)
Z 329, Ode, "Laudate Ceciliam" (1683)
Z 331, Ode, "Love's goddess sure was blind" (1692)
Z 332, Ode, "Now does the glorious day appear" (1689)
Z 333, Ode, "Of old when heroes thought it base" (1690)
Z 334, Ode, "Raise raise the voice" (c. 1685)
Z 335, Ode, "Sound the trumpet, beat the drum" (1678)
Z 336, Ode, "Swifter, Isis, swifter flow" (1681)
Z 337, Ode, "The summer's absence unconcerned we bear" (1682)
Z 338, Ode, "Welcome, welcome glorious morn" (1691)
Z 339, Ode, "Welcome to all the pleasures" (1683)
Z 340, Ode, "Welcome, vicegerent of the mighty king" (1680)
Z 341, Ode, "What, what shall be done in behalf of the man?" (1682)
Z 342, Ode, "Who can from joy refrain?" (1695)
Z 343, Ode, "Why, why are all the Muses mute?" (1685)
Z 344, Ode, "Ye tuneful Muses" (1686)

Musique profane[modifier | modifier le code]

Songs (chansons) (Z 351–547)[modifier | modifier le code]

Z 351, Song, "Aaron thus propos'd to Moses" (1688) – (attribution douteuse)
Z 352, Song, "Ah! Cruel nymph, you give despair" (date de composition inconnue)
Z 353, Song, "Ah! how pleasant 'tis to love" (1688)
Z 354, Song, "Ah! Cruel nymph, you give despair" (date de composition inconnue)
Z 355, Song, "Amidst the shades and cool refreshing streams" (1687)
Z 356, Song, "Amintas, to my grief I see" (1679)
Z 357, Song, "Amintor, heedless of his flocks" (1681)
Z 358, Song, "Ask me to love no more" (1694)
Z 359, Song, "A thousand sev'ral ways I tried" (1684)
Z 360, Song, "Bacchus is a power divine" (date de composition inconnue)
Z 361, Song, "Beware, poor Shepherds" (1684)
Z 362, Song, "Cease, anxious world" (1687)
Z 363, Song, "Cease, O my sad soul" (1678)
Z 364, Song, "Celia's fond, too long I've loved her" (1694)
Z 365, Song, "Corinna is divinely fair" (1692)
Z 367, Song, "Cupid, the slyest rogue alive" (1685)
Z 368, Song, "Farewell, all joys" (1685)
Z 369, Song, "Fly swift, ye hours" (1692)
Z 370, Song, "From silent shades and the Elysian groves" (1683)
Z 371, Song, "Hears not my Phyllis" (1695)
Z 372, Song, "He himself courts his own ruin" (1684)
Z 373, Song, "How delightful's the life of an innocent swain" (date de composition inconnue)
Z 374, Song, "How I sigh when I think of the charms" (1681)
Z 375, Song, "I came, I saw, and was undone" (date de composition inconnue)
Z 376, Song, "I envy not a monarch's fate" (1693)
Z 377, Song, "I fain would be free" (date de composition inconnue)
Z 378, Song, "If grief has any power to kill" (1685)
Z 379, Song, "If music be the food of love" (1692–1695)
Z 380, Song, "If prayers and tears" (date de composition inconnue)
Z 381, Song, "I lov'd fair Celia" (1694)
Z 382, Song, "I love and I must" (date de composition inconnue)
Z 383, Song, "Incassum Lesbia, incassum rogas" (1695)
Z 384, Song, "In Cloris all soft charms" (1684)
Z 385, Song, "In vain we dissemble" (1685)
Z 386, Song, "I resolve against cringing" (1679)
Z 387, Song, "I saw that you were grown so high" (1678)
Z 388, Song, "I take no pleasure in the sun's bright beams" (1681)
Z 389, Song, "Leave these useless arts in loving" (date de composition inconnue)
Z 390, Song, "Let each gallant heart" (1683)
Z 391, Song, "Let formal lovers still pursue" (1687)
Z 392, Song, "Love arms himself in Celia's eyes" (date de composition inconnue)
Z 393, Song, "Love is now become a trade" (1685)
Z 394, Song, "Lovely Albina's come ashore" (date de composition inconnue)
Z 395, Song, "Love's power in my heart shall find no compliance" (1688)
Z 396, Song, "Love, thou canst hear, tho' thou art blind" (1695)
Z 397, Song, "More love or more disdain I crave" (1678)
Z 399, Song, "My heart, wherever you appear" (1685)
Z 400, Song, "Not all my torments can your pity move" (date de composition inconnue)
Z 401, Song, "No watch, dear Celia, just is found" (1693)
Z 402, Song, "O! fair Cedaria, hide those eyes" (date de composition inconnue)
Z 403, Song, "O! how happy's he" (1690)
Z 404, Song, "Olinda in the shades unseen" (date de composition inconnue)
Z 405, Song, "On the brow of Richmond Hill" (1692)
Z 406, Song, "O solitude, my sweetest choice" (1687)
Z 407, Song, "Pastora's beauties when unblown" (1681)
Z 408, Song, "Phyllis, I can ne'er forgive it" (1688)
Z 409, Song, "Phillis, talk no more of passion" (1685)
Z 410, Song, "Pious Celinda goes to prayers" (1695)
Z 411, Song, "Rashly I swore I would disown" (1683)
Z 412, Song, "Sawney is a bonny lad" (1694)
Z 413, Song, "She loves and she confesses too" (1683)
Z 414, Song, "She that would gain a faithful lover" (1695)
Z 415, Song, "She who my poor heart possesses" (1683)
Z 416, Song, "Since one poor view has drawn my heart" (1681)
Z 417, Song, "Spite of the godhead, pow'rful love" (1687)
Z 418, Song, "Sweet, be no longer sad" (1678)
Z 420, Song, "Sylvia, now your scorn give over" (1688)
Z 421, Song, "The fatal hour comes on apace" (date de composition inconnue)
Z 422, Song, "They say you're angry" (1685)
Z 423, Song, "This poet sings the Trojan wars" (1688)
Z 424, Song, "Through mournful shades and solitary groves" (1684)
Z 425, Song, "Turn then thine eyes" (date de composition inconnue)
Z 426, Song, "Urge me no more" (date de composition inconnue)
Z 427, Song, "We now, my Thyrsis, never find" (1693)
Z 428, Song, "What a sad fate is mine" (date de composition inconnue)
Z 429, Song, "What can we poor females do?" (1694)
Z 430, Song, "When first Amintas sued for a kiss" (1687)
Z 431, Song, "When first my shepherdess and I" (1687)
Z 432, Song, "When her languishing eyes said 'love'" (1681)
Z 433, Song, "When I a lover pale do see" (1678)
Z 434, Song, "When my Aemelia smiles" (date de composition inconnue)
Z 435, Song, "When Strephon found his passion vain" (1683)
Z 436, Song, "When Thyrsis did the splendid eye" (1675)
Z 437, Song, "While Thyrsis, wrapt in downy sleep" (1685)
Z 438, Song, "Whilst Cynthia sung, all angry winds lay still" (1686)
Z 440, Song, "Who but a slave can well express" (date de composition inconnue)
Z 441, Song, "Who can behold Florella's charms?" (1695)
Z 442, Song, "Why so serious, why so grave?" (date de composition inconnue)
Z 443, Song, "Ye happy swains, whose nymphs are kind" (1685)
Z 444, Song, "Stript of their green our groves appear" (1692)
Z 461, Song, "Beneath a dark and melancholy grove" (date de composition inconnue)
Z 462, Song, "Draw near, you lovers" (date de composition inconnue)
Z 463, Song, "Farewell, ye rocks" (1685)
Z 464, Song, "Gently shepherds, you that know" (1687)
Z 465, Song, "High on a throne of glitt'ring ore" (1690)
Z 466, Song, "Let us, kind Lesbia, give away" (1684)
Z 467, Song, "Musing on cares of human fate" (1685)
Z 468, Song, "No, to what purpose should I speak" (date de composition inconnue)
Z 469, Song, "Scarce had the rising sun appear'd" (1679)
Z 470, Song, "See how the fading glories of the year" (1689)
Z 471, Song, "Since the pox or the plague" (1679)
Z 472, Song, "What hope for us remains now he is gone?" (1679)
Z 473, Song, "Young Thyrsis' fate, ye hills and groves, deplore" (date de composition inconnue)
Z 482, Song, "Alas, how barbarous we are" (date de composition inconnue)
Z 483, Song, "Come, dear companions of th'Arcadian fields" (1686)
Z 484, Song, "Come, lay by all care" (1685)
Z 485, Song, "Dulcibella, when e'er I sue for a kiss" (1694)
Z 486, Song, "Fair Cloe, my breast so alarms" (1692)
Z 487, Song, "Fill the bowl with rosy wine" (1687)
Z 489, Song, "Go tell Amynta, gentle swain" (date de composition inconnue)
Z 490, Song, "Haste, gentle Charon" (date de composition inconnue)
Z 491, Song, "Has yet your breast no pity learn'd?" (1688)
Z 492, Song, "Hence, fond deceiver" (1687)
Z 493, Song, "Here's to thee, Dick" (1688)
Z 494, Song, "How great are the blessings 'A Health to King James'" (1686)
Z 495, Song, "How sweet is the air and refreshing" (1687)
Z 496, Song, "In all our Cynthia's shining sphere" (date de composition inconnue)
Z 497, Song, "In some kind dream" (1687)
Z 498, Song, "I saw fair Cloris all alone" (1687)
Z 499, Song, "I spy Celia, Celia eyes me" (1687)
Z 500, Song, "Julia, your unjust disdain" (1687)
Z 501, Song, "Let Hector, Achilles and each brave commander" (1689)
Z 502, Song, "Lost is my quiet forever" (1691)
Z 503, Song, "Nestor, who did to thrice man's age attain" (1689)
Z 504, Song, "O dive custos Auriacae domus" (1695)
Z 505, Song, "Oft am I by the women told" (1687)
Z 506, Song, "Oh! what a scene does entertain my sight" (date de composition inconnue)
Z 507, Song, "Saccharissa's grown old" (1686)
Z 508, Song, "See where she sits" (date de composition inconnue)
Z 509, Song, "Sit down, my dear Sylvia" (1685)
Z 510, Song, "Soft notes and gently raised" (1685)
Z 511, Song, "Sylvia, thou brighter eye of night" (date de composition inconnue)
Z 512, Song, "Sylvia, 'tis true you're fair" (1686)
Z 513, Song, "There never was so wretched lover as I" (date de composition inconnue)
Z 514, Song, "Though my mistress be fair" (1685)
Z 515, Song, "Trip it, trip it in a ring" (date de composition inconnue)
Z 516, Song, "Underneath this myrtle shade" (1692)
Z 517, Song, "Were I to choose the greatest bliss" (1689)
Z 518, Song, "What can we poor females do?" (date de composition inconnue)
Z 519, Song, "When gay Philander left the plain" (1684)
Z 520, Song, "When, lovely Phyllis, thou art kind" (1685)
Z 521, Song, "When Myra sings" (1695)
Z 522, Song, "When Teucer from his father fled" (1686)
Z 523, Song, "While bolts and bars my days control" (date de composition inconnue)
Z 524, Song, "While you for me alone had charms" (date de composition inconnue)
Z 525, Song, "Why, my Daphne, why complaining?" (1691)
Z 541, Song, "Hark Damon, hark" (date de composition inconnue)
Z 542, Song, "Hark how the wild musicians sing" (date de composition inconnue)
Z 543, Song, "How pleasant is this flowery plain" (1688)
Z 544, Song, "If ever I more riches did desire" (date de composition inconnue)
Z 545, Song, "In a deep vision's intellectual scene 'The Complaint'" (date de composition inconnue)
Z 546, Song, "'Tis wine was made to rule the day" (date de composition inconnue)
Z 547, Song, "We reap all the pleasures" (date de composition inconnue)

Theatre Music (musique de scène) (Z 570–613)[modifier | modifier le code]

Z 570, Incidental Music, Abdelazer or The Moor's Revenge (1695)
- Movt. 1, Overture
- Suite
  - Movt. 2, Rondeau
  - Movt. 3, Air
  - Movt. 4, Air
  - Movt. 5, Minuet
  - Movt. 6, Air
  - Movt. 7, Jig
  - Movt. 8, Hornpipe
  - Movt. 9, Air
- Movt. 10, Song, "Lucinda is bewitching fair"
Z 571, Incidental Music, A Fool's Preferment or The Three Dukes of Dunstable (1688)
- Movt. 1, Song, "I sigh'd, and I pin'd"
- Movt. 2, Song, "There's nothing so fatal as woman"
- Movt. 3, Song, "Fled is my love"
- Movt. 4, Song, "'Tis death alone"
- Movt. 5, Song, "I'll mount to yon blue Coelum"
- Movt. 6, Song, "I'll sail upon the Dog-star"
- Movt. 7, Song, "Jenny, 'gin you can love"
- Movt. 8, Song, "If thou wilt give me back my love"
Z 572, Incidental Music, Amphitryon or The Two Sosias (1690) – (Les mouvements 3 à 9 sont d'attribution douteuse, et un mouvement est perdu entre 2 et 11)
- Movt. 1, Overture
- Movt. 2, Saraband
- Movt. 3, Song, "Celia, that I once was blest"
- Movt. 4, Hornpipe
- Movt. 5, Scotch tune
- Movt. 6, Song, "For Iris I sigh"
- Movt. 7, Air
- Movt. 8, Minuet
- Movt. 9, Hornpipe
- Movt. 11, Song, "Fair Iris and her swain"
- Movt. 12, Bourrée
Z 573, Incidental Music, Aureng-Zebe or The Great Mogul (1692)
- Movt. 1, Song, "I see, she flies me"
Z 574, Incidental Music, Bonduca or The British Heroine (1695) – (Les mouvements 2 à 7 sont d'attribution douteuse, et deux 2 mouvements entre 1 et 10 sont perdus)
- Movt. 1, Overture
- Suite
  - Movt. 2, Air
  - Movt. 3, Hornpipe
  - Movt. 4, Air
  - Movt. 5, Hornpipe
  - Movt. 6, Air
  - Movt. 7, Minuet
- Movt. 10, Catch, "Jack, thou'rt a toper"
- Movt. 11, Prelude and Song, "Hear us great Rugwith"
- Movt. 12, Song, "Hear, ye Gods of Britain"
- Movt. 13, Song, "Sing, sing, ye Druids"
- Movt. 14, Song, "Divine Andate, president of war"
- Movt. 15, Symphony and Song, "To arms"
- Movt. 16, Prelude and Song, "Britons strike home!"
- Movt. 17, Prelude and Song, "O lead me to some peaceful gloom"
Z 575, Incidental Music, Circe (1690)
- Movt. 1, Prelude and Song, "We must assemble by a sacrifice"
- Movt. 2, Song, "Their necessary aid you use"
- Movt. 3, Song, "Come every demon"
- Movt. 4, Song, "Lovers, who to their first embraces go"
- Movt. 5, Song, "Magician's Dance"
- Movt. 6, Song, "Pluto arise!"
Z 576, Incidental Music, Cleomenes, the Spartan Hero (1692)
- Movt. 1, Song, "No, no, poor suff'ring heart"
Z 577, Incidental Music, Distressed Innocence or The Princess of Persia (1694) – (Deux mouvements de la suite sont d'attribution douteuse)
- Movt. 1, Overture
- Suite
  - Movt. 2, Air (or Jig)
  - Movt. 3, Slow Air (or Rondeau)
  - Movt. 4, Air
  - Movt. 5, Hornpipe (or Minuet)
Z 578, Incidental Music, Don Quixote (1694–95)
- Movt. 1, Song, "Sing all ye Muses"
- Movt. 2, Song, "When the world first knew creation"
- Movt. 3, Song, "Let the dreadful engines"
- Movt. 4, Prelude
- Movt. 5, Song, "With this sacred charming wand"
- Movt. 6, Song, "Since times are so bad"
- Movt. 7, Prelude and Song, "Genius of England"
- Movt. 8, Song, "Lads and Lasses, blith and gay"
- Movt. 9, Song, "From rosie bow'rs"
Z 579, Incidental Music, Epsom Wells (1693)
- Movt. 1, Song, "Leave these useless arts"
Z 580, Incidental Music, Henry the Second, King of England (1692)
- Movt. 1, Song, "In vain, 'gainst Love, in vain I strove"
Z 581, Incidental Music, The History of King Richard the Second or The Sicilian Usurper (1681)
- Movt. 1, Song, "Retir'd from any mortal's sight"
Z 582, Incidental Music, Love Triumphant or Nature Will Prevail (1693)
- Movt. 1, Song, "How happy's the husband"
Z 583, Incidental Music, Oedipus (1692)
- Movt. 1, Prelude and Song, "Hear, ye sullen powers below"
- Movt. 2, Song, "Music for a While"
- Movt. 3, Song, "Come away, do not stay"
- Movt. 4, Song, "Laius! Hear, hear"
Z 584, Incidental Music, Oroonoko (1695)
- Movt. 1, Song, "Celemene, pray tell me"
Z 585, Incidental Music, Pausanias, the Betrayer of his Country (1695)
- Movt. 1, Song, "Sweeter than roses"
- Movt. 2, Song, "My dearest, my fairest"
Z 586, Incidental Music, Regulus or The Faction of Carthage (1692)
- Movt. 1, Song, "Ah me! to many deaths"
Z 587, Incidental Music, Rule a Wife and Have a Wife (1693)
- Movt. 1, Song, "There's not a swain"
Z 588, Incidental Music, Sir Anthony Love or The Rambling Lady (1692)
- Movt. 1, Overture
- Movt. 2, Prelude and Song, "Pursuing Beauty"
- Movt. 3, Song, "No more, Sir, no more"
- Movt. 4, Song, "In vain Clemene"
- Movt. 5, Ground
Z 589, Incidental Music, Sir Barnaby Whigg or No Wit Like a Woman's (1681)
- Movt. 1, Song, "Blow, blow, Boreas, blow"
Z 590, Incidental Music, Sophonisba or Hannibal's Overthrow (1685)
- Movt. 1, Song, "Beneath the poplar's shadow"
Z 591, Incidental Music, The Canterbury Guests or A Bargain Broken (1694)
- Movt. 1, Song, "Good neighbor why?"
Z 592, Incidental Music, The Double Dealer (1693)
- Movt. 1, Overture
- Suite
  - Movt. 2, Hornpipe
  - Movt. 3, Minuet
  - Movt. 4, Air
  - Movt. 5, Hornpipe
  - Movt. 6, Minuet
  - Movt. 7, Minuet
  - Movt. 8, Air
  - Movt. 9, Air
- Movt. 10, Song, "Cynthia frowns"
Z 594, Incidental Music, The English Lawyer (1685)
- Movt. 1, Catch, "My wife has a tongue"
Z 595, Incidental Music, The Fatal Marriage or The Innocent Adultery (1694)
- Movt. 1, Song, "The danger is over"
- Movt. 2, Song, "I sigh'd and owned my love"
Z 596, Incidental Music, The Female Virtuosos (1693)
- Movt. 1, Song, "Love, thou art best"
Z 597, Incidental Music, The Gordian Knot Unty'd (1691) – (Les mouvements de cette suite sont d'attribution douteuse et leur ordre est une conjecture. Un mouvement est perdu)
- Movt. 1, Overture
- Suite
  - Movt. 2, Air
  - Movt. 3, Rondeau Minuet
  - Movt. 4, Air
  - Movt. 5, Jig
  - Movt. 6, Chaconne
  - Movt. 7, Air
  - Movt. 8, Minuet
Z 598, Incidental Music, The Indian Emperor or The Conquest of Mexico (1691)
- Movt. 1, Song, "I look'd and saw within"
Z 599, Incidental Music, The Knight of Malta (1691)
- Movt. 1, Catch, "At the close of the ev'ning"
Z 600, Incidental Music, The Libertine or The Libertine Destroyed (1692)
- Movt. 1, Song, "Nymphs and shepherds/We come"
- Movt. 2, Prelude and Song, "Prepare, prepare, new guests draw near"
- Movt. 3, Prelude and Song, "To arms, heroic prince"
Z 601, Incidental Music, The Maid's Last Prayer or Any Rather Than Fail (1693)
- Movt. 1, Song, "Though you make no return"
- Movt. 2, Song, "No, resistance is but vain"
- Movt. 3, Song, "Tell me no more"
Z 602, Incidental Music, The Marriage-hater Match'd (1693)
- Movt. 1, Song, "As soon as the chaos"
- Movt. 2, Song, "How vile are the sordid intregues"
Z 603, Incidental Music, The Married Beau or The Curious Impertinent (1694)
- Movt. 1, Overture
- Suite
  - Movt. 2, Slow Air
  - Movt. 3, Hornpipe
  - Movt. 4, Air
  - Movt. 5, Hornpipe
  - Movt. 6, Jig
  - Movt. 7, Trumpet Air
  - Movt. 8, March
  - Movt. 9, Hornpipe on a ground
- Movt. 10, Song, "See! where repenting Celia lyes"
Z 604, Incidental Music, The Massacre of Paris (1693)
- Movt. 1, Song, "Thy genius, lo"
Z 605, Incidental Music, The Mock Marriage (1695)
- Movt. 1, Song, "Oh! how you protest"
- Movt. 2, Song, "'Twas within a furlong"
- Movt. 3, Song, "Man is for the woman made"
Z 606, Incidental Music, Theodosius or The Force of Love (1680)
- Movt. 1, Song, "Prepare, prepare, the rites begin"
- Movt. 2, Song, "Can'st thou, Marina"
- Movt. 3, Song, "The gate to bliss"
- Movt. 4, Prelude and Song "Hark! Hark! behold the heav'nly choir"
- Movt. 5, Song, "Now the fight's done"
- Movt. 6, Song, "Sad as death at dead of night"
- Movt. 7, Song, "Dream no more of pleasures past"
- Movt. 8, Song, "Hail to the myrtle shade"
- Movt. 9, Song, "Ah cruel, bloody fate"
Z 607, Incidental Music, The Old Bachelor (1691)
- Movt. 1, Overture
- Suite
  - Movt. 2, Hornpipe
  - Movt. 3, Slow Air
  - Movt. 4, Hornpipe
  - Movt. 5, Rondeau
  - Movt. 6, Menuet
  - Movt. 7, Boree
  - Movt. 8, March
  - Movt. 9, Jig
- Movt. 10, Song, "Thus to a ripe, consenting maid"
- Movt. 11, Song, "As Amoret and Thyrsis lay"
Z 608, Incidental Music, The Richmond Heiress or A Woman Once in the Right (1691) – (Les mouvements 2 et 3 sont perdus, comme les titres des chansons)
- Movt. 1, Song, "Behold the man"
Z 609, Incidental Music, The Rival Sisters or The Violence of Love (1695) – (La suite est perdue)
- Movt. 1, Overture
- Suite (Movements 2–9)
- Movt. 10, Song, "Celia has a thousand charms"
- Movt. 11, Song, "Take not a woman's anger ill"
- Movt. 12, Song, "How happy, how happy is she"
Z 610, Incidental Music, The Spanish Friar or The Double Discovery (1694–1695)
- Movt. 1, Song, "Whilst I with grief"
Z 611, Incidental Music, The Virtuous Wife or Good Luck at Last (1694) – (Un des mouvements de la suite est perdu)
- Movt. 1, Overture
- Suite
  - Movt. 2, Song tune
  - Movt. 3, Slow Air
  - Movt. 4, Air
  - Movt. 5, Preludio
  - Movt. 6, Hornpipe
  - Movt. 7, Minuet
  - Movt. 8, Minuet
Z 612, Incidental Music, The Wives' Excuse or Cuckolds Make Themselves (1691)
- Movt. 1, Song, "Ingrateful love!"
- Movt. 2, Song, "Hang this whining way of wooing"
- Movt. 3, Song, "Say, cruel Amoret"
- Movt. 4, Song, "Corinna, I excuse thy face"
Z 613, Incidental Music, Tyrannic Love or The Royal Martyr (1694)
- Movt. 1, Song, "Hark! my Damilcar!"
- Movt. 2, Song, "Ah! how sweet it is to love"

Opéras et semi-opéras (Z 626–632)[modifier | modifier le code]

Z 626, Opéra, Didon et Énée (Dido and Æneas) (vers 1688)
- Movt. 1, Overture
- Acte 1
  - Movt. 2a, Aria, "Shake the cloud from off your brow"
  - Movt. 2b, Chorus, "Banish sorrow, banish care"
  - Movt. 3, Aria and Ritornello, "Ah! Belinda, I am prest with torment"
  - Movt. 4, Duet (dialogue), "Grief increases by concealing"
  - Movt. 5, Chorus, "When monarchs unite"
  - Movt. 6, Trio (dialogue), "Whence could so much virtue spring?"
  - Movt. 7, Duet and Chorus, "Fear no danger"
  - Movt. 8, Trio (dialogue), "See, your royal guest appears"
  - Movt. 9, Chorus (dialogue), Cupid only throws the dart"
  - Movt. 10, Aria, "If not for mine"
  - Movt. 11, Prelude and Aria, "Pursue thy conquest, love"
  - Movt. 12, Chorus, "To the hills and the vales"
  - Movt. 13, Dance – The triumphing dance
- Acte 2
  - Movt. 14, Prelude and Aria, "Wayward sisters"
  - Movt. 15, Chorus, "Harm's our delight"
  - Movt. 16, Aria, "The queen of Carthage, whom we hate"
  - Movts. 17 – 20, Chorus and Dialogue, "Ho ho ho!"
  - Movt. 21, Chorus, "In our deep vaulted cell"
  - Movt. 22, "Echo dance of the furies"
  - Movt. 23, Ritornello
  - Movt. 24a – b, Aria and Chorus, "Thanks to these lonesome vales"
  - Movt. 24c, Dance – Gittar ground
  - Movt. 25a, Aria, "Oft she visits this lone mountain"
  - Movt. 25b, Ritornello, "A Dance to entertain Aeneas by Dido's Women"
  - Movt. 26, Aria, "Behold, upon my bended spear"
  - Movt. 27, Aria and Chorus, "Haste, haste to town"
  - Movt. 28, Duet (dialogue), "Stay, Prince"
- Acte 3
  - Movt. 29, Prelude and Aria, "Come away, fellow sailors"
  - Movt. 30, Dance – The sailor's dance
  - Movt. 31, Trio (dialogue), "See the flags and the streamers curling"
  - Movt. 32, Aria, "Our next motion"
  - Movt. 33, Chorus, " Destruction's our delight"
  - Movt. 34, Dance – The witches' dance
  - Movt. 35a, Aria, "Your counsel all is urg'd in vain"
  - Movt. 35b, Trio (dialogue), "See, madam where the Prince appears"
  - Movt. 36, Chorus, "Great minds against themselves conspire"
  - Movt. 37, Aria, "Thy hand Belinda, darkness shades me"
  - Movt. 38, Ground, Aria and Ritornello, "When I am laid in earth"
  - Movt. 39, Chorus, "With drooping wings"
  - Movt. 40, Epilogue, "All that we know the angels do above"
Z 627, Semi-opéra, Prophetess or The History of Dioclesian or Dioclesian (1690)
- Movt. 1, 1st Music
- Movt. 2, 2nd Music
- Movt. 3, Overture
- Acte 1
  - Movt. 4, 1st Act Tune (Hornpipe)
- Acte 2
  - Movt. 5, Prelude, Aria and Chorus, "Great Diocles the boar has killed"
  - Movt. 6, Prelude and Aria, "Charon, the peaceful shade invites"
  - Movt. 7, Symphony
  - Movt. 8, Duet and Chorus, "Let all mankind the pleasures share"
  - Movt. 9, Prelude, Aria and Chorus, "Let the soldier's rejoice"
  - Movt. 10, Ritornello
  - Movt. 11, Trio and Chorus, "To Mars let 'em raise"
  - Movt. 12, Ritornello
  - Movt. 13a, Prelude – A Symphony of flutes in the air
  - Movt. 13b – c, Aria and Chorus, "Since the toils and hazards of war"
  - Movt. 13d, Aria and Ritornello, "With dances and songs"
  - Movt. 13e, Quartet and Chorus, "Let the priests with processions"
  - Movt. 14, Dance of the Furies
  - Movt. 15, 2nd Act Tune
- Acte 3
  - Movt. 16, Chaconne (Two in one upon a Ground)
  - Movt. 16 (App 1), Aria, "When first I saw"
  - Movt. 17, Dance – The Chair Dance
  - Movt. 18, Prelude and Aria, "What shall I do"
  - Movt. 19, 3rd Act Tune
- Acte 4
  - Movt. 20, Dance – Butterfly Dance
  - Movt. 21, Trumpet Tune
  - Movt. 22–23, Aria and Chorus, "Sound Fame"
  - Movt. 24, 4th Act Tune
- Acte 5
  - Movt. 25, Dance – Country Dance
  - Movt. 26, Prelude and Masque, "Call the Nymphs and the fauns"
  - Movt. 27, Duet, "Come, come away"
- First Entry
  - Movt. 28, Prelude and Chorus, "Behold, O mightiest of gods"
  - Movt. 29, Paspe
  - Movt. 30, Duet, "O, the sweet delights of love"
  - Movt. 31, Aria and Chorus, "Let monarchs fight"
  - Movt. 31 (App 2), Aria, "Since from my dear Astrea's sight"
- Second Entry
  - Movt. 32a, Prelude
  - Movt. 32b, Duet, "Make room for the great god of wine"
  - Movt. 32c, Chorus, "I'm here with my jolly crew"
  - Movt. 32d, Dance – Dance of the Baccanals
  - Movt. 33, Aria and Ritornello, "Still I'm wishing"
- Third Entry
  - Movt. 34, "Canaries"
  - Movt. 35, Duet (dialogue), "Tell me why my charming fair"
- Fourth Entry
  - Movt. 36, Dance
  - Movt. 37, Aria and Chorus, "All our days"
  - Movt. 37 (App 3), Aria, "Let us dance"
  - Movt. 38, Trio, "Triumph, victorious love"
  - Movt. 39, Chorus
Z 628, Semi-opéra, King Arthur or The British Worthy (1691)
- Movt. 1, 1st Music
- Movt. 2, 2nd Music
- Movt. 3, Air
- Movt. 4, Overture
- Acte 1
  - Movt. 5, Prelude and Aria, "Woden, first to thee"
  - Movt. 6, Aria, "The white horse"
  - Movt. 7–8, Prelude, Aria and Chorus, "Brave Souls"
  - Movt. 9, Aria, "I call ye all to Woden's hall"
  - Movt. 10, Symphony, Aria and Chorus, "Come if you dare"
  - Movt. 11, 1st Act Tune
- Acte 2
  - Movt. 12, Prelude and Aria, "Hither this way bend"
  - Movt. 13, Aria, Ritornello, "Let not a moon-born Elf"
  - Movt. 14, Dialogue and Chorus, "Come follow me"
  - Movt. 15, Dance, Aria and Chorus, "How blest are Shepherds"
  - Movt. 16, Symphony and Duet (dialogue), "Shepherd, leave decoying"
  - Movt. 17, Chorus and Hornpipe, "Come Shepherds"
  - Movt. 18, 2nd Act Tune
- Acte 3
  - Movt. 19, Prelude and Aria, "What ho"
  - Movt. 20, Prelude and Aria, "What power art thou" (aria popularisée par Klaus Nomi sous le titre The Cold Song)
  - Movt. 21, Aria, "Thou doting fool forbear"
  - Movt. 22, Aria, "Great love"
  - Movt. 23, Aria, "No part"
  - Movt. 24, Prelude, Chorus and Dance, "See, see"
  - Movt. 25, Aria, Ritornello and Chorus, "Tis I, that have warn'd ye"
  - Movt. 26, Prelude and Duet, "Sound a Parley"
  - Movt. 27, Aria, Ritornello and Chorus, "Tis I, that have warn'd ye"
  - Movt. 28, 3rd Act Tune (Air)
- Acte 4 (Scène 2)
  - Movt. 29, Duet, "Two Daughters"
  - Movt. 30a, Passacaglia
  - Movt. 30b–d, Aria, Ritornello and Chorus, "How happy the Lover"
  - Movt. 30e–i, Dialogue and Chorus, "No, no joy"
  - Movt. 31, 4th Act Tune
- Acte 5 (Scène 2)
  - Movt. 32a, Prelude (Trumpet Tune)
  - Movt. 32b–c, Aria, "Ye Blust'ring Brethren"
  - Movt. 33, Symphony
  - Movt. 34, Duet and Chorus, "Round thy coasts"
  - Movt. 35a, Aria, "You say tis love"
  - Movt. 35b–c, Aria and Chorus, "This not my passion"
  - Movt. 35d–e, Aria and Chorus, "But one soft moment"
  - Movt. 36, Duet, "For folded flocks"
  - Movt. 37, Aria and Chorus, "Your hay is mown"
  - Movt. 38, Aria, "Fairest Isle"
  - Movt. 39, Chorus, "St George"
  - Movt. 40, 5th Act Tune (Chaconne)
Z 629, Semi-opéra, The Fairy Queen (1692)

- Movt. 1, 1st Music (Prelude and Hornpipe)
- Movt. 2, 2nd Music (Air and Rondeau)
- Movt. 3, Overture (Grave and Canzona)
- Acte 1
  - Movt. 4, Prelude and Aria, "Come, come, come, let us leave the town"
  - Movt. 5, Prelude, Aria and Chorus, "Fill up the bowl!"
  - Movt. 6, 1st Act Tune (Jig)
- Acte 2
  - Movt. 7, Prelude and Aria, "Come all ye songsters of the sky"
  - Movt. 8a, Prelude
  - Movt. 8b, Trio, "May the god of wit inspire"
  - Movt. 8c, Echo
  - Movt. 9, Chorus, "Now joyn your warbling voices all"
  - Movt. 10a–b, Aria and Chorus, "Sing while we trip it on the green"
  - Movt. 10c, A dance of the fairies
  - Movt. 11, Prelude and Aria, "See even Night herself is here"
  - Movt. 12, Aria, "I am come to lock all fast"
  - Movt. 13, Prelude and Aria, "One charming night"
  - Movt. 14, Aria and Chorus, "Hush, no more, be silent all"
  - Movt. 15, Dance – A dance for the followers of the night
  - Movt. 16, 2nd Act Tune (Air)
- Acte 3
  - Movt. 17, Prelude, Aria and Chorus, "If love's a sweet passion"
  - Movt. 18, Overture – Symphony while the swans come forward
  - Movt. 19, Dance – Dance for the fairies
  - Movt. 20, Dance – Dance for the green men
  - Movt. 21, Aria, "Ye gentle spirits of the air appear"
  - Movt. 22, Aria, "Now the maids and the men"
  - Movt. 23, Aria, "When I have often heard"
  - Movt. 24a, Dance – A dance of haymakers
  - Movt. 24b, Dance – Dance for a clown
  - Movt. 25, Aria and Chorus, "A thousand thousand ways we'll find"
  - Movt. 26, 3rd Act Tune (Hornpipe)
- Acte 4
  - Movt. 27, Symphony – Sonata while the sun rises
  - Movt. 28, Aria and Chorus, "Now the night is chas'd away"
  - Movt. 29, Duet, "Let the fifes, and the clarions"
  - Movt. 30, Entry of Phoebus
  - Movt. 31, Prelude and Aria, "When a cruel long winter"
  - Movt. 32, Chorus, "Hail! Great parent of us all"
  - Movt. 33, Prelude and Aria, "Thus the ever grateful spring"
  - Movt. 34, Prelude and Aria, "Here's the summer, sprightly, gay"
  - Movt. 35, Prelude and Aria, "See my many colour'd fields"
  - Movt. 36, Prelude and Aria, "Next, winter comes slowly"
  - Movt. 37, Chorus, "Hail! Great parent of us all"
  - Movt. 38, 4th Act Tune (Air)
- Acte 5
  - Movt. 39a, Prelude to Juno's song
  - Movt. 39b–c, Aria, "Thrice happy lovers"
  - Movt. 40, Aria, "O let me weep"
  - Movt. 41, Dance – Entry dance
  - Movt. 42, Symphony
  - Movt. 43, Aria, "Thus the gloomy world st first began to shine"
  - Movt. 44, Prelude, Aria and Chorus, "Thus happy and free"
  - Movt. 45, Ground and Aria, "Yes, Daphne, in your looks I find"
  - Movt. 46, Dance – Monkey's dance
  - Movt. 47, Prelude and Aria, "Hark how all things in one sound agree"
  - Movt. 48, Aria and Chorus, "Hark! Now the echoing air"
  - Movt. 49, Duet and Chorus, "Sure the dull god of marriage"
  - Movt. 50a, Prelude
  - Movt. 50b, Aria, "See, see, I obey"
  - Movt. 50c, Duet, "Turn then thine eyes"
  - Movt. 50d, Aria, "My torch, indeed will from such brightness shine"
  - Movt. 50e–f, Trio, "They shall be as happy
  - Movt. 51, Chaconne – Dance for the Chinese man and woman
Z 630, Semi-opéra, The Indian Queen (1695)
- Movt. 1, 1st Music, (Air and Hornpipe)
- Movt. 2, 2nd Music, (Air and Hornpipe)
- Movt. 3, Overture, (Grave and Canzon)
- Prologue
  - Movt. 4a, Trumpet Tune
  - Movt. 4b, Aria, "Wake Quivera, wake"
  - Movt. 4c, Prelude
  - Movt. 4d, Aria, "Why should men quarrel"
- Acte 2
  - Movt. 5, Symphony
  - Movt. 6, Aria and Chorus, "I come to sing great Zempoalla's story"
  - Movt. 7, Trio, "What flatt'ring noise is this"
  - Movt. 8, Trumpet tune
  - Movt. 9, Symphony
  - Movt. 10, Dance
  - Movt. 11, 2nd Act Music (Trumpet Tune reprise)
- Acte 3
  - Movt. 12, Dance
  - Movt. 13, Aria, "Ye twice ten hundred deities"
  - Movt. 14, Symphony
  - Movt. 15, Aria, "Seek not to know what must not be reveal'd"
  - Movt. 16, Trumpet Overture (Canzon and Adagio)
  - Movt. 17a, Duet and Quartet, "Ah! Ah! How happy are we!"
  - Movt. 18, 3rd Act Tune (Rondeau)
  - Movt. 19, Aria, "They tell us that you mighty powers above"
  - Movt. 20, 4th Act Tune
  - Movt. 21a, Prelude and Chorus, "While thus we bow before your shrine"
  - Movt. 21b, Aria, "You who at the altar stand"
  - Movt. 21c, Prelude
  - Movt. 21d, Chorus, "All dismal sounds thus on these off'rings wait"
  - Movt. 22, Air
Z 631, Semi-opéra, The Tempest or The Enchanted Island (vers 1695)
- Movt. 1, Overture (Grave and Canzon)
- Acte 2
  - Movt. 2, Duet (dialogue) and Chorus, "Where does the black fiend Ambition reside"
  - Movt. 3, Prelude and Aria, "Arise, ye subterranean winds"
  - Movt. 4, Dance
- Acte 3
  - Movt. 5, Aria and Chorus, "Come unto these yellow sands"
  - Movt. 6, Prelude, Aria and Chorus, "Full fathom five"
  - Movt. 7, Aria and Ritornello, "Dry those eyes"
  - Movt. 8, Prelude and Aria, "Kind fortune smiles"
- Acte 4
  - Movt. 9, Dance – Dance of devils
  - Movt. 10, Aria, "Dear pretty youth"
- Acte 5
  - Movt. 11a, Recitative, "Great Neptune!"
  - Movt. 11b–d, Aria and Ritornello, "Fair and serene"
  - Movt. 12, Chorus and Ritornello, "The Nereids and the Tritons"
  - Movt. 13, Aria, "Aeolus, you must appear"
  - Movt. 14, Aria, "Your awful voice I hear"
  - Movt. 15, Prelude and Aria, "Halcyon days"
  - Movt. 16, Prelude and Aria, "See, see, the heavens smile"
  - Movt. 17, Duet and Chorus, "No stars again shall hurt you"
Z 632, Semi-opéra, Timon of Athens (1694)
- Movt. 1, Overture
- The Masque
  - Movt. 2, Duet, "Hark! how the songsters of the grove"
  - Movt. 3, Aria, "Love in their little veins inspires"
  - Movt. 4, Trio, "But ah! how much are our delights"
  - Movt. 5, Aria, "Hence! Hence! Hence with your trifling deity"
  - Movt. 6, Chorus, "But over us no griefs prevail"
  - Movt. 7, Aria, "Come all to me"
  - Movt. 8, Chorus, "Who can resist such mighty, mighty charms"
  - Movt. 9, Aria, "Return, revolting rebels"
  - Movt. 10, Aria, "The cares of lovers"
  - Movt. 11, Aria, Love quickly is pall'd"
  - Movt. 12, Duet and Chorus, "Come, let us agree"
  - Movt. 13, Curtain Tune on a Ground

Musique instrumentale[modifier | modifier le code]

Pour ensemble instrumental ou clavier (Z 641–860)[modifier | modifier le code]

Z 641, Air en sol majeur (date de composition inconnue)
Z 642, Almand et Corant en la mineur (date de composition inconnue)
Z 644, Corant en sol majeur (date de composition inconnue)
Z 645, Ground on Gamut en sol majeur (date de composition inconnue)
Z 646, A New Irish Tune en sol majeur ("Lilliburlero") (1687)
Z 647, March en do majeur (1687)
Z 648, March en do majeur (1687)
Z 649, Minuet en la mineur (1687)
Z 650, Minuet en la mineur (1687)
Z 651, Minuet en sol majeur (date de composition inconnue)
Z 652, Prelude en la mineur (date de composition inconnue)
Z 653, Rigadoon en do majeur (1687)
Z 654, Saraband en la mineur (date de composition inconnue)
Z 655, A New Scotch Tune en sol majeur (1687)
Z 656, Sefauchi's Farewell en ré mineur (1687)
Z 660, Suite en sol majeur (1696)
Z 661, Suite en sol mineur (1696)
Z 662, Suite en sol majeur (1696)
Z 663, Suite en la mineur (1696)
Z 665, Suite en do majeur (1687)
Z 666, Suite en do majeur (1696)
Z 667, Suite en ré majeur (1696)
Z 668, Suite en ré mineur (1696)
Z 669, Suite en fa majeur (1696)
Z 670, The Queen's Dolour en la mineur (date de composition inconnue)
Z 716, Verse en fa majeur (date de composition inconnue)
Z 717, Voluntary en do majeur (date de composition inconnue)
Z 718, Voluntary en ré mineur (date de composition inconnue)
Z 719, Voluntary for double organ en ré mineur (date de composition inconnue)
Z 720, Voluntary en sol majeur (date de composition inconnue)
Z 721, Voluntary en la majeur sur le psaume 100 (date de composition inconnue)

Pour consort de violes[modifier | modifier le code]

Recueil Fantasies and In nomines (1680)[modifier | modifier le code]

Z 730, Chacony en sol mineur
Z 731, Fantasy upon a Ground en ré majeur/fa majeur
Z 732, Fantasy en ré mineur
Z 733, Fantasy en fa majeur
Z 734, Fantasy en sol mineur
Z 735, Fantasy en sol mineur
Z 736, Fantasy en si bémol majeur
Z 737, Fantasy en fa majeur
Z 738, Fantasy en do mineur
Z 739, Fantasy en ré mineur
Z 740, Fantasy en la mineur
Z 741, Fantasy en mi mineur
Z 742, Fantasy en sol majeur
Z 743, Fantasy en ré mineur
Z 744, Fantasy en la minor (inachevée)
Z 745, Fantasy upon One Note en fa majeur
Z 746, In Nomine en sol mineur
Z 747, In Nomine, "Dorian", en sol mineur

Autres œuvres avec viole(s)[modifier | modifier le code]

Z 748, Pavan en la majeur (1680)
Z 749, Pavan en la minor (1680)
Z 750, Pavan en si bémol majeur (1680)
Z 751, Pavan en sol mineur (1680)
Z 752, Pavan en sol mineur (1680)
Z 770, Overture en sol mineur (1680) – (Ce numéro est également attribué à une Suite en sol majeur)
Z 771, Overture en ré mineur (date de composition inconnue)
Z 772, Overture en sol mineur (date de composition inconnue)
Z 780, Trio Sonata en sol mineur (date de composition inconnue)

Pour petit ensemble instrumental[modifier | modifier le code]

Recueil Twelve Sonatas in Three Parts (vers 1680)[modifier | modifier le code]

Z 790, Trio Sonata en sol mineur
Z 791, Trio Sonata en si bémol majeur
Z 792, Trio Sonata en ré mineur
Z 793, Trio Sonata en fa majeur
Z 794, Trio Sonata en la mineur
Z 795, Trio Sonata en do majeur
Z 796, Trio Sonata en mi mineur
Z 797, Trio Sonata en sol majeur
Z 798, Trio Sonata en do mineur
Z 799, Trio Sonata en la majeur
Z 800, Trio Sonata en fa mineur
Z 801, Trio Sonata en ré majeur

Recueil Ten Sonatas in Four Parts (vers 1680)[modifier | modifier le code]

Z 802, Trio Sonata en si mineur
Z 803, Trio Sonata en mi bémol majeur
Z 804, Trio Sonata en la mineur
Z 805, Trio Sonata en ré mineur
Z 806, Trio Sonata en sol mineur
Z 807, Trio Sonata en sol mineur
Z 808, Trio Sonata en do majeur
Z 809, Trio Sonata en sol mineur
Z 810, Trio Sonata en fa majeur (trio surnommé "The Golden Sonata")
Z 811, Trio Sonata en ré majeur

Sonate isolée[modifier | modifier le code]

Z 850, [Trumpet] Sonata en ré majeur (1694)

Funeral Sentences and Music for the Funeral of Queen Mary (Z 860)[modifier | modifier le code]

Z 860, Music for the Funeral of Queen Mary: March and Canzona (1695)
Z 860 / Z 27 / Z 17 / Z 58c, Funeral Sentences

Œuvres avec un numéro Z non-standard (ZD-ZT)[modifier | modifier le code]

Œuvres diverses[modifier | modifier le code]

ZD 4, Verse Anthem, "O god, they that love thy name" (date de composition inconnue)
ZD 171, Song, "A Poor blind woman" (date de composition inconnue)
ZD 172, Song, "When the cock begins to crow" (date de composition inconnue)
ZD 201, Song, "When night her purple veil had softly spread" (date de composition inconnue)
ZN 66, Verse Anthem, "If the Lord himself" (date de composition inconnue)
ZS 69, Song, "Sweet tyranness, I now resign" (1667)
ZS 70, Song, "Sweet tyranness, I now resign" (1678) – (version pour voix seule de ZS 69)

Œuvres pour clavier ou clavier et instrument[modifier | modifier le code]

ZD 221, Ground en do mineur (date de composition inconnue)
ZD 222, Ground en ré mineur (date de composition inconnue)
ZN 773, Prelude en sol mineur/ré mineur (date de composition inconnue)
ZT 675, Air en ré mineur (date de composition inconnue)
ZT 676, Air en ré mineur (date de composition inconnue)
ZT 677, Canary en si bémol majeur (date de composition inconnue)
ZT 678, Trumpet Tune en do majeur (1696)
ZT 680, Chaconne en sol mineur (1696)
ZT 681, Ground en do mineur (date de composition inconnue)
ZT 682, A New Ground en mi mineur (1687)
ZT 683, Hornpipe en si bémol majeur (date de composition inconnue)
ZT 684, Hornpipe en ré mineur (date de composition inconnue)
ZT 685, Hornpipe en mi mineur (date de composition inconnue)
ZT 686, Jig en sol mineur (1696)
ZT 687, March en do majeur (1696)
ZT 688, Minuet en ré mineur (1687)
ZT 689, Minuet en ré mineur (1687)
ZT 690, Overture en do mineur (date de composition inconnue)
ZT 691, Overture en ré majeur (date de composition inconnue)
ZT 692, Overture en ré majeur (date de composition inconnue)
ZT 693/1, Overture en sol mineur (date de composition inconnue)
ZT 693/2, Air en sol mineur (date de composition inconnue)
ZT 694, Song Tune en do majeur (1687)
ZT 695, Song Tune en do majeur (1687)
ZT 696/1, Air en ré mineur (date de composition inconnue) – (Deuxième version de ZT 675)
ZT 696/2, Air en ré mineur (date de composition inconnue)
ZT 697, Trumpet Tune en do majeur (1696)
ZT 698, Trumpet Tune en do majeur (1696)

Œuvres sans numéro Z[modifier | modifier le code]

Full Anthem, "I was glad when they said unto me" (autrefois attribué à John Blow) (1685)
Air en fa majeur pour clavier
Prélude en do majeur pour clavier (attribué à Purcell)
Voluntary pour clavier (attribué à Purcell)

Notes et références[modifier | modifier le code]

Portail de la musique classique